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I know people that have been on the operating table and asked to have Eye of the Tiger playing. It’s helped people through cancer or a heart attack. The money doesn’t suck, but the best royalty is that I’ll be in the supermarket and meet random people who tell me the song has affected their lives in a positive way. The Grammy is still sitting on my recording console. People were clapping and standing up, cheering. But I only really got how big the film was about a month later, when I snuck into my local theatre in Illinois, and the place was packed. We went out to Hollywood for the premiere and were on the red carpet with celebrities. You gotta get it back.” That had to be the hook.
TIGER ROCKY SONG MOVIE
Frankie got the ball rolling with the lyrics: “Back on the street, doing time, taking chances.” But we had to call Stallone and say: “You gotta send us the whole movie because we can’t get any further with the story.” Then we heard that phrase when Apollo says: “You had that eye of the tiger, man, the edge …. It was a few days later in the car when I came up with the riff and the idea of timing the chord changes with the punches. Because Another One Bites the Dust is fucking perfect.” I said: “Frankie, we got our work cut out for us. BOMP, BOMP, BOMP – Another One Bites the Dust by Queen! Stallone couldn’t get the publishing rights. Man, the energy of it – with Mr T rising up and Rocky getting soft and doing commercials. The next day Frankie Sullivan, our guitarist, came over and a FedEx arrived with a giant Betamax video cassette on which was a rough cut of the first three minutes of the movie. Can you help me out?” I told him: “I’ve been waiting for an opportunity like this since I started my career in music.” Something street, something with a pulse. So I’m talking to Stallone on the telephone. Stallone had said to his friend Tony Scotti “I’m looking for a new sound for my Rocky III movie” and Tony had played him a couple of our songs. One day I came home, pressed play on the answering machine and I heard: “Yo Jim, give me a call, it’s Sylvester Stallone.” I went: “Yeah, right.” Survivor had released two albums, neither of which had done particularly well, and we were worried our label was going to drop us.